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vendredi 20 octobre 2017
Appel à candidatures FAB-Musiconis 2018
dimanche 15 octobre 2017
Musiconis au village des sciences de Sorbonne Universités
Musiconis au village des sciences de Sorbonne Universités les 13, 14 et 15 octobre 2017.
Un grand merci de la part de toute l'équipe Musiconis aux deux musiciens talentueux Ershad Tehrani et Rusan Filiztek (musiciens et étudiants de Sorbonne Universités) !
Un grand merci de la part de toute l'équipe Musiconis aux deux musiciens talentueux Ershad Tehrani et Rusan Filiztek (musiciens et étudiants de Sorbonne Universités) !
jeudi 29 décembre 2016
Programme de la session Fab-Musiconis de Janvier 2017 (Paris - 1/6)
Le programme de la 1ère session du programme Fab-Musiconis (Université Paris-Sorbonne / Columbia University) est accessible ici :
Sunday January 1st
Arrival
Monday January 2nd
Morning, 10:00-12:00 Orientation, welcome lunch, seminar with overview of project work
Afternoon: 14:00-17:00 Individual tutorial n°1 on analyzing and entering images in Musiconis
Tuesday January 3rd
Seminar n°1 : 10:00- 12:00
Iconographie musicale médiévale : recherche et enjeux d’indexation
Afternoon: 14:00 -18:00
Individual tutorial n°2 on analyzing and entering images in Musiconis
Wednesday January 4th
Morning: 10:00-12:00
Seminar n°2 on digital humanities projects at IREMUS: EUTERPE project
Afternoon: 15:00-18:00
Seminar n°3 IREMUS/INHA - Musical places and spaces Italian Renaissance
with Laura Moretti, Tim Shephard and Michel Hochmann (bilingual French-English)
Evening 19:00-20:30
Rencontre avec Benjamin Bagby - Roman de Fauvel
Thursday January 5th
Morning 10:00-12:00 :
Visit of the Musée de Cluny (music collections) and the Sorbonne historical
Buildings
Lunch at the Sorbonne 12:15 - Salons de la Présidence
Master pro with Katarina Livljanic
Seminar: Notation musicale avec Nicolas Meeus
Friday January 6th
Morning: 10:00-12:00
Individual tutorial n°3 on analyzing and entering images in Musiconis
14:00-15h30 Afternoon:
Visit of Mazarine Manuscripts with Yann Sordet - curator.
16:00 Seminar n°4 - musical iconography (bilingual French-English)
Saturday January 7th
10:00-13:00 visit
Louvre Museum
Monday January 9th
Morning: 10:00-12:00 Individual tutorial n°4 on analyzing and entering images in Musiconis
Afternoon: 14:00
Visit of the Musée de la Musique
Tuesday January 10th
Morning:10:00 - 12:00 Introductory course n°1 on semantic web and ontologies
Afternoon: 13:00 -16:00 : Individual tutorial n°5 on analyzing and entering images in Musiconis
17:00 Musée de l’homme : rencontre avec le chercheur iranien Farrokh Vahabzadeh
Wednesday January 11th
Morning: Presentation of the Music Department BNF
Afternoon: 15:00-18:00
Seminar n°5 - INHA-IREMUS Musical places and spaces Medieval monastic culture
with Susan and Sebastien (bilingual French-English)
Thursday January 12th
Morning: 10:00 - 12:00 Introductory course n°2 on semantic web and ontologies
Lunch: 12:00 - 13:00
Afternoon: 13:30-17:00 : Individual tutorial n°6 on analyzing and entering images in Musiconis
Friday January 13th
Full-day visit to the Centre d’Etudes Supérieures de la Renaissance in Tours for a
presentation of digital humanities projects related to music
Saturday January 14th
Afternoon: Group discussion and presentation of work accomplished
lundi 12 décembre 2016
Figures du musicien : corps, gestes, instruments en texte
En 2012 puis 2013, le groupe de recherche "Musique et Littérature : dialogues intersémiotiques" a tenu deux fois deux journées d'étude à l'Université de Toulouse II-Le Mirail, sur le thème « Figure(s) du musicien : corps, gestes, instruments en texte ».
Le double titre valait invitation à embrasser un vaste champ intersémiotique au sein duquel voisinent verbal et non-verbal, arts visuels, discours musical, autant de domaines d'expression qui portent un témoignage aussi vivant qu'énigmatique et infini des dess(e)ins d'une écriture, d'une composition, et de leurs multiples résonances.
Fabula en publie les actes, réunis par Nathalie Vincent-Arnaud et Frédéric Sounac.
vendredi 9 décembre 2016
FAB-Musiconis programme with Columbia and Paris-Sorbonne
FAB-Musiconis is a project of Columbia University and Paris-Sorbonne University made possible by a three-year grant from the Partner University Fund of the FACE Foundation. The principal co-investigators are Susan Boynton (Columbia) and Frédéric Billiet (Paris-Sorbonne). Beginning in 2016, five graduate student medievalists from each of the two partner universities will be selected each fall to participate in a program of activities including two-week intensive exchanges in Paris and New York.
http://edblogs.columbia.edu/musiconis/
http://edblogs.columbia.edu/musiconis/
lundi 13 juin 2016
Choir stalls and their workshops Misericordia International Ernst-Moritz-Arndt-University Greifswald
Ernst-Moritz-Arndt-University Greifswald,
Misericordia International,
Cluster of Excellence »Image Knowledge Gestaltung. An Interdisciplinary Laboratory«, Humboldt-Universität zu Berlin
Choir stalls were not only simple seating for the priests and monks. With their highly complex imaging systems they were also one of the most important and demanding artistic tasks in medieval cathedrals, monastic churches, and even parishes. In recent years, research has focused primarily on iconographic questions and formal and stylistic analysis, as has the research of Misericordia International. There are very few studies dedicated to the workshops and their working conditions. Therefore this year the Misericordia International conference in Greifswald will deal with the workshop context of the choir stalls for the first time. In addition to questions about substantive and economic mechanisms of art production the conference examines basic knowledge of craftsmanship the use of drawings and models in the production of choir stalls.
The target group of the conference includes researchers in art history, economic and technical history, image based working historians and conservators.
The venue Greifswald is chosen wisely. North Germany has a rich choir landscape whose research is a rewarding task. Nevertheless, despite work by relevant scientists that wealth is not well known, let alone scientifically. The colloquium will thus stimulate a reinterpretation of the liturgical furniture and provide new impulses.
13:10 Gerhard Weilandt (Universität Greifswald): Introduction
13.20 Thomas Eißing (University Bamberg): Science of Joining structures as knowledge reservoir for workshop practices? A methodological introduction
14.00 Anja Seliger (Cluster of Excellence Image Knowledge Gestaltung Berlin): To get an idea – Visualization as a starting point in the manufacturing process
14.40 Break
14.50 Angela Glover (University of Toronto): Module as Model for Early Modern Choir Stalls
15.30 Kristiane Lemé-Hébuterne (Amiens): Big seats for fat Benedictines, small ones for slender Cistercians? – Some statistics on the size
16.10 Break
16.25 Volker Dietzel (Dresden): Berufsbezeichnungen und Werkzeugnamen der Tischler, Schreiner und Kistler
17.05 Ulrich Knapp (Leonberg): The Choir stalls of Salem Cistercian Monastery Church as testimony of liturgical and economical reforms (1588 till 1593)
17.45 Jörg Lampe (Academy of Science Göttingen): The choir stalls of the monasteries of Pöhlde and St. Alexandri in Einbeck – Observations on their time of origin from an epigraphical and historical point of View
18.25 Break
NB: Different room for keynote lecture!
20.15 Get-together
10.00 Jörg Widmaier (University Tübingen): The stone bench of Burs – Gotland’s masonry in context and their connections to the main land
10.40 Erika Loic (University Harvard): Liturgical Activation of Master Mateo’s Stone Choir in Santiago de Compostela
11.20 Break
11.40 James Alexander Cameron (The Courtauld Institute of Art, London): Microarchitectural reflexivity in the design of sedilia and choir stalls
12.20 Willy Piron (Radboud University, Nijmegen): The bilobate misericords of the Lower-Rhine area: a local phenomenon?
13.00 Lunch Break
14.20 Christel Theunissen (Radboud University Nijmegen): Jan Borchman and his fellow craftsmen. The creation of choir stalls in the Low Countries
15.00 Barbara Spanjol-Pandelo (University of Rijeka): Matteo Moronzon – an artist or a project manager of a woodcarving workshop?
15.40 Break
Chair: Gerhard Weilandt
16.00 Detlef Witt (Greifswald): Die Wangen der Anklamer Chorgestühle
16.40 Kaja von Cossart (Drechow): The choir and other 13th century furniture in the Cistercian Monastery Doberan
17.20 Final Discussion
18.30 General Meeting of Misericordia International
20.00 Get-together
9.30 Bad Doberan, Münster, former Cistercian Monastery Church
11.30 Retschow, Village Church
12.30 Rostock, Monastery Church Holy Cross, now the church of Rostock University and Museum
Departure 15.30
16.00 Ribnitz-Damgarten, Monastery Church
18.00 Departure to Greifswald
Meeting point: 8 am train station Greifswald
The guided walking tour through Stralsund includes a visit to the inside of the roof. Please dress appropriately for the weather and the roof visit – it might be dusty and have a narrow stair way.
• Church St. Nikolai
• Historical Museum Stralsund (St. Catherine’s Monastery)
• Church St. Jacobi (Depot)
End of the conference approximately 15.00.
Misericordia International,
Cluster of Excellence »Image Knowledge Gestaltung. An Interdisciplinary Laboratory«, Humboldt-Universität zu Berlin
Choir stalls and their workshops
Greifswald, 23. — 26. June 2016
↓ Download ProgrammeChoir stalls were not only simple seating for the priests and monks. With their highly complex imaging systems they were also one of the most important and demanding artistic tasks in medieval cathedrals, monastic churches, and even parishes. In recent years, research has focused primarily on iconographic questions and formal and stylistic analysis, as has the research of Misericordia International. There are very few studies dedicated to the workshops and their working conditions. Therefore this year the Misericordia International conference in Greifswald will deal with the workshop context of the choir stalls for the first time. In addition to questions about substantive and economic mechanisms of art production the conference examines basic knowledge of craftsmanship the use of drawings and models in the production of choir stalls.
The target group of the conference includes researchers in art history, economic and technical history, image based working historians and conservators.
The venue Greifswald is chosen wisely. North Germany has a rich choir landscape whose research is a rewarding task. Nevertheless, despite work by relevant scientists that wealth is not well known, let alone scientifically. The colloquium will thus stimulate a reinterpretation of the liturgical furniture and provide new impulses.
Conference language
Presentations will be held in English and German. Bilingual abstracts are provided.Programme
Thursday, 23. June 2016
12.30 RegistrationWelcome
13.00 Frédéric Billet, President of Misericordia International (Sorbonne Paris): Welcome13:10 Gerhard Weilandt (Universität Greifswald): Introduction
Section I Workshop practices
Chair: Frédéric Billet13.20 Thomas Eißing (University Bamberg): Science of Joining structures as knowledge reservoir for workshop practices? A methodological introduction
14.00 Anja Seliger (Cluster of Excellence Image Knowledge Gestaltung Berlin): To get an idea – Visualization as a starting point in the manufacturing process
14.40 Break
14.50 Angela Glover (University of Toronto): Module as Model for Early Modern Choir Stalls
15.30 Kristiane Lemé-Hébuterne (Amiens): Big seats for fat Benedictines, small ones for slender Cistercians? – Some statistics on the size
16.10 Break
Section II 16th and 17th century choir stalls – tradition or restart?
Chair: N.N.16.25 Volker Dietzel (Dresden): Berufsbezeichnungen und Werkzeugnamen der Tischler, Schreiner und Kistler
17.05 Ulrich Knapp (Leonberg): The Choir stalls of Salem Cistercian Monastery Church as testimony of liturgical and economical reforms (1588 till 1593)
17.45 Jörg Lampe (Academy of Science Göttingen): The choir stalls of the monasteries of Pöhlde and St. Alexandri in Einbeck – Observations on their time of origin from an epigraphical and historical point of View
18.25 Break
Keynote Lecture
19.00 Dorothee Heim (Berlin): The woodcarver Rodrigo Alemán. An international acting choir stalls maker and businessman in Spain around 1500NB: Different room for keynote lecture!
20.15 Get-together
Friday, 24. June 2016
09.30 Registration and welcome coffeeSection III Choir stalls made of stone - a forgotten furniture
Chair: Jens Rüffer10.00 Jörg Widmaier (University Tübingen): The stone bench of Burs – Gotland’s masonry in context and their connections to the main land
10.40 Erika Loic (University Harvard): Liturgical Activation of Master Mateo’s Stone Choir in Santiago de Compostela
11.20 Break
11.40 James Alexander Cameron (The Courtauld Institute of Art, London): Microarchitectural reflexivity in the design of sedilia and choir stalls
Section IV Authorship and groups of work – case studies
Chair: Anja Seliger12.20 Willy Piron (Radboud University, Nijmegen): The bilobate misericords of the Lower-Rhine area: a local phenomenon?
13.00 Lunch Break
14.20 Christel Theunissen (Radboud University Nijmegen): Jan Borchman and his fellow craftsmen. The creation of choir stalls in the Low Countries
15.00 Barbara Spanjol-Pandelo (University of Rijeka): Matteo Moronzon – an artist or a project manager of a woodcarving workshop?
15.40 Break
Chair: Gerhard Weilandt
16.00 Detlef Witt (Greifswald): Die Wangen der Anklamer Chorgestühle
16.40 Kaja von Cossart (Drechow): The choir and other 13th century furniture in the Cistercian Monastery Doberan
17.20 Final Discussion
18.30 General Meeting of Misericordia International
20.00 Get-together
Saturday, 25. June 2016
Whole-day excursion
Meeting point: 8.00 bus terminal Greifswald9.30 Bad Doberan, Münster, former Cistercian Monastery Church
11.30 Retschow, Village Church
12.30 Rostock, Monastery Church Holy Cross, now the church of Rostock University and Museum
Departure 15.30
16.00 Ribnitz-Damgarten, Monastery Church
18.00 Departure to Greifswald
Sunday, 26. June 2016
Half-day excursion to StralsundMeeting point: 8 am train station Greifswald
The guided walking tour through Stralsund includes a visit to the inside of the roof. Please dress appropriately for the weather and the roof visit – it might be dusty and have a narrow stair way.
• Church St. Nikolai
• Historical Museum Stralsund (St. Catherine’s Monastery)
• Church St. Jacobi (Depot)
End of the conference approximately 15.00.
mardi 8 mars 2016
A Discussion of Resounding Images: Medieval Intersections of Art, Music and Sound
THE GLOBAL FOCUS SERIES
A Discussion of Resounding Images:
Medieval Intersections of Art, Music and Sound
Lundi 14 mars 2016
18h30
Reid Hall
4 rue de Chevreuse 75006
Grande Salle
4 rue de Chevreuse 75006
Grande Salle
La discussion sera suivie d'un verre d'amitié
Gratuit et ouvert au public
Réservation obligatoire : http://events.reidhall.com/en/
En partenariat avec le département de musique de Columbia University et du Columbia Undergraduate Program in Paris, nous avons le plaisir de vous proposer "A Discussion of Resounding Images," troisième volet de la nouvelle série "Global Focus.”
Prenant comme point de départ le tout récent livre, Resounding Images (sous la direction de Susan Boynton et Diane J. Reilly), des historiens de l'art et de la musique discuteront des représentations du son, de l'espace, et de l'image du Moyen Âge. Des essais sur l'art et la musique musulmans, chrétiens etjudaïques ont en effet tracé les intersections complexes entre l'art, l'architecture et les sons du monde médiéval. Des études de cas ont également exploré comment des sons ambiants et programmatiques, y compris la parole et le chant, et leur opposé, le silence, interagissent avec les objets et le cadre du quotidien pour créer des expériences multisensorielles caractéristiques de la vie médiévale. (La discussion sera en anglais.)
Participants : Sebastien Biay (Sorbonne), Susan Boynton (CU), Lindsay Cook (CU), Walter Frisch (CU), Isabelle Marchesin (INHA), Laura Weigert (INHA/Rutgers)
Monday, March 14, 2016
6:30 pm
Reid Hall
4 rue de Chevreuse 75006
Grande Salle
4 rue de Chevreuse 75006
Grande Salle
A cocktail reception will follow
Free and open to the public
Reservations required: http://events.reidhall.com/en/
This evening is the third in the Global Focus Series, which highlights the expertise and areas of interest of Columbia professors.
Historians of art and music will address the study of sound, space, and image in the Middle Ages. The point of departure is the recently published volume Resounding Images (ed. Susan Boynton and Diane J. Reilly), in which essays on Christian, Islamic and Jewish art and music reconstruct the complex intersections of art, architecture and sound in the medieval world. Case studies explore how ambient and programmatic sound, including chant and speech, and its opposite, silence, interacted with objects and the built environment to create the multisensory experiences that characterized medieval life. (The discussion will be in English.)
Participants: Sebastien Biay (Sorbonne), Susan Boynton (CU), Lindsay Cook (CU), Walter Frisch (CU), Isabelle Marchesin (INHA), Laura Weigert (INHA/Rutgers)
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